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STUDIO
CONDENSER MICROPHONES: |
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AKG
Model C414 B-ULS |
The
C 414, in use for years as the general-purpose microphone
for vocal and instrument recording, has been further
improved again. |
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DPA
4006 |
The
DPA 4006 omni directional (pressure gradient) microphone
is a 16mm diameter pre-polarised condenser microphone
designed for moderate
SPL applications. |
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DPA
4011 |
The
DPA 4011 cardioid microphone is a 19mm diameter
pre-polarised condenser microphone with a first-order
cardioid pick-up pattern. |
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Neumann
KMS150 Vocalist Microphone |
The
KMS 150 is a FET 100 series condenser microphone
that has been expressly designed for use by vocalists
or for close-microphone positions on instruments. It
has a hypercardioid polar pattern. |
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Neumann
TLM170 Studio
Condenser Microphone |
The
TLM 170 studio condenser microphone is provided
with transformerless circuitry for high
sonic purity. |
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Neumann
USM69i
Stereo Microphone |
The
world-standard, stereo condenser microphone
with built in directional pattern selectors – choose
from omni-directional, wide-angle cardioid, standard
cardioid, hypercardioid and figure-eight. |
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Shure
KSM32 Cardioid Condenser Studio
Microphone |
A
single-diaphragm, cardioid condenser microphone
for highly critical studio recording and live sound
productions. It produces an open, natural sounding reproduction
of the original sound source. |
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RØDE
"Classic" Tube
Microphone |
This
Australian-made (but world renowned) valve microphone
is beautifully-crafted and absolutely stunning. The
“Classic” is destined to be the first choice
for critical vocal and instrument recording. |
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Schoeps
CCM-4 Classic
Compact Cardioid
Microphone |
This
is the smallest classic (cardioid) condenser microphone
(45mm in length). It has a cardioid pattern and comes
complete with a sturdy permanently-attached five-metre
cable, a swivel mount and a small model TC desk stand. |
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Schoeps
CCM-41 Classic
Compact Hypercardioid Microphone |
The
Schoeps CCM-41(hypercardioid) is the smallest classic
condenser microphone (at just 45mm in length). This
mic is strongly directional. Sound arriving from off
axis is attenuated even more than with a cardioid.
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Schoeps
CCM-8 Classic
Compact Hypercardioid Microphone |
This
microphone type is a true dipole transducer, operating
with a single diaphragm. The main axis of its bidirectional
pickup lies at right angles to its cylindrical axis,
and is marked at 0° and 180° with a red and
a black dot respectively. |
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Sennheiser
MKH 40 (P48)
Cardioid Microphone |
This
is a cardioid studio condenser microphone and has
a wide range of applications. It is especially good
in less-than-ideal acoustic environments because of
its accurate cardioid pattern, which is remarkably consistent
down to the very lowest frequencies. |
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CLIP-ON
MICROPHONES: |
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DPA
4061 Miniature
Microphone |
Miniature
omnidirectional condenser microphone. Available
in black or flesh colours. |
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Sanken
COS-11 |
The
Sanken COS-11 BK is an ultra - miniature lapel microphone
with a unique vertical diaphragm design. |
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Sennheiser
MKE 104-P
(P48) |
A
robust condenser clip-on module mini-microphone
with a cardioid capsule for top sound quality and better
rejection of unwanted background noise. Supplied with
a 1.5 metre cable. Powered by P48 phantom power. |
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Sennheiser
MKE 2-P
(P48) |
A
robust condenser clip-on microphone with omni-directional
characteristics for top sound quality. Supplied with
a 1.5 metre cable. This model MKE 2
can now be powered by P48 phantom power. |
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Sony
ECM-77 |
The
industry standard for clip-on microphones.
Ultra Miniature, Omnidirectional Lavaliere -
Inconspicuous Design For Film And TV Production -
Extended 40-20000 Hz Frequency Response - |
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The
TRAM® TR50 miniature Lavalier Microphone |
The
TRAM® TR50 miniature professional lavalier microphone
answers the needs of even the most demanding sound recording
engineer. It has been designed with the latest electret
development and electronics technology, to provide high
sound quality with little or no visibility. |
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LECTERN
MICROPHONES: |
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Clock
Audio C800E
Mini Shotgun
Condenser Microphone |
A
12" (300mm) flexible extension (miniature gooseneck)
condenser microphone designed primarily for mounting
on lecterns, pulpits, or conference tables. It has a
wide frequency response (50Hz to 18kHz), hypercardioid
pickup patternand is phantom powered. |
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Countryman
Isomax 4
Podium Microphone |
Compatibility
with any wireless transmitter
Omnidirectional Pattern -
20 - 20kHz ¡¾3dB (flat cap) frequency response
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Impedence 600§Ù balanced, maximum SPL 145dB
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9V to 48V Phantom Power (2mA@48V) |
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Shure
MX412 Microflex®
Standard Gooseneck
Microphone |
Available
only in a 300mm (12") flexible extension.
The MX412C comes complete with the R185B cardioid pattern
condenser capsule. Although all our rental microphones
are cardioid, you can supply your own interchange capsules. |
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Shure
SM-99 Gooseneck
Microphone |
A
choice of a 450mm (18") OR a 300mm (12")
flexible extension (miniature gooseneck) condenser microphone
designed primarily for mounting on lecterns, pulpits,
or conference tables. |
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CABLED
HAND MICROPHONES: |
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Electro-Voice®
RE50/B
Handheld Interview
Microphone |
The
Electro-Voice® RE50/B is specially shock-isolated,
omnidirectional, dynamic microphone created for the
most exacting professional applications. It was designed
particularly for handheld broadcast and soundreinforcement
use. |
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Neumann
KMS 150 |
The
KMS 150 is a condenser vocalist hand mic in the
“FET 100” series with a hypercardioid polar
pattern. The microphone has been developed for use with
instruments and vocals at very short ranges. |
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Sennheiser
E835 Lead
Vocal Stage Microphone |
This
is a cardioid lead vocal stage microphone specially
designed to perform under pressure. Sound inlet basket:
refined steel. High sound pressure handling capability.
Excellent feedback rejection.
Silent ON/OFF switch. |
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Sennheiser
MD 416-U
Cardioid Dynamic
Microphone |
Dynamic
cardioid hand-held microphone. Can handle high sound
pressure levels such as those
encountered in car races. |
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Shure
55SH Series II |
Classic
1950's design "Buddy Holly” style microphone
with SM58 dynamic cardioid capsule. |
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Shure
Beta 57/57A |
Dynamic
super-cardioid mic designed for use with acoustic
and electric musical instruments, both live and in the
studio, especially drums, percussion instruments, horns,
and instrument amplifiers. It has extended low-bass
and high frequency response. |
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Shure
Beta 58 |
Dynamic
super-cardioid hand-held vocal microphone. Inspired
in design by the legendary SM58 and quickly becoming
the new world standard, the premium quality Beta 58
is unequivocally the best dynamic microphone for demanding
live vocal applications. |
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Shure
Beta 87 |
Super-cardioid
hand-held condenser vocal microphone. The Beta 87
is the first electret condenser microphone to join the
Beta line. Features include high sound pressure level
capability and full electromagnetic shielding. A three-stage
pop filter minimises
breath noise. |
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Shure
SM 63 |
Omni-directional
dynamic hand held microphone of normal length. It
has an effective wind and pop filter, and the durable
VERAFLEX grille won’t dent and look unsightly on
camera. |
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SHOTGUN
MICROPHONES: |
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Sennheiser
MKH 416P48
or 416T (12 volt AB) |
P48
phantom power or 12V AB (416T) shotgun microphone
with Rycote windshield, handgrip, and power supply (mains
or battery) unit if required. |
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Sennheiser
MKH 60 P48 |
Interference
tube semi-shotgun microphone with
super-cardioid lobar pick-up pattern.
Very lightweight (160g).
High directivity for whole freq range (60Hz to 20kHz).
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Sennheiser
MKH 70 P48
Shotgun Microphone |
Interference
tube shotgun microphone with lobar
pick-up pattern. Very lightweight (190g).
High directivity for whole freq range (60Hz to 20kHz).
High sensitivity. |
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Sennheiser
MKH 816 P48
or 816T |
P48
phantom power or 12V AB (816T) shotgun microphone
with Rycote windshield, handgrip, and power supply (mains
or battery) unit if required |
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Shure
SM89 Condenser
Shotgun Microphone |
This
is a highly-directional condenser shotgun microphone
(with a tighter pattern than a Sennheiser 816). Its
characteristics are especially suitable for the distant
pick-up required in location film and TV. |
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